What would an innocent bystander think of all this? Imagine you're sitting in the audience and you don't know that a body swap has just occurred this morning. Write a short scene or a longer paragraph of description that allows us to watch either Scene 1 (you're stuck in Person X's body) or Scene 2 (Person X stuck in your body) from the point of view of a random person sitting in the audience.

5. For you to successfully impersonate Person X in the talent show, name at least three things you’d have to do differently (like play the flute, mimic Person X’s posture or gestures, talk in a different way, smile more or less, and so on). Be as specific as possible.
6. Will you be able to pull it off? Imagine you’re onstage and everyone is expecting the greatest display of [insert Person X’s talent here] ever. Write a short scene or a longer paragraph of description that takes us there when you’re trying to deliver what Person X’s talent is.
7. For Person X to successfully impersonate you in the talent show, name at least three things he or she will have to do differently (like play the flute, mimic your posture or gestures, talk in a different way, smile more or less, and the like). Be as specific as possible.
8. Is there any chance that Person X will be able to pull it off? Because everyone thinks that’s you up there! In a short scene or a longer paragraph of description, take us there to watch as Person X tries to pull it off. There’s a catch, though: Use the first-person point of view again, which means stepping into Person X’s mind and narrating all this from that person’s perspective, using the pronouns I, me, and my.
9. What would an innocent bystander think of all this? Imagine you’re sitting in the audience and you don’t know that a body swap has just occurred this morning. Write a short scene or a longer paragraph of description that allows us to watch either Scene 1 (you’re stuck in Person X’s body) or Scene 2 (Person X stuck in your body) from the point of view of a random person sitting in the audience.
10. Choose one of the three passages you’ve written so far and work it into a half-page scene. Are there specific sentences or lines that really capture the voice of whoever is narrating it (you, Person X, or the audience viewer)? Did any great ideas surface that you can spend more time describing in greater detail? Add them, expand anywhere things are going well, and cut out any parts that seem clunky or boring.
11. You’ll complete this same process with the other two passages so that you end up with three different scenes, each a half-page long, to submit as your prewriting “product.”

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